This piece was created for the Photocartographies project to include Los Angeles’ Fashion District and g727.
Schiller’s prints are highly detailed tesselations of USGS imagery. More information about his Los Angeles images can be found on his website at nikolasschiller.com
-the two mt. rushmores can be the piece b/c they kind of go together
-or one devil and one rushmore
-or one devil and two rushmores together as one
Polaroids will be matted and placed behind glass in a white lacquer frame, depending on how many you want and what you want to do with them.
This print sold in a white lacquer frame, signed on reverse. Approximately 16″ x 10″.
From the series, Berms and Drumlins: “By examining mankind’s reshaping of the earth, I explore how we assign positive and negative values to anthropogenic landscape modifications. As human inhabitants of the earth, we are bound to affect the environment. How do we determine whether our modifications have a positive or negative impact on the landscape?”
A single archival photographic print, approximately 9×13″, sold in a white lacquer frame.
This piece belongs to a project executed at Hopper’s warehouse on Fletcher drive during the artist’s recent visit to LA. The work in fact consists of the drawing (pictured) and a very long video recording.
These large photo-collages are part of a 9 piece series, each unique, sold unframed. Signed by the artist. Approximately 34″ x 28″, constructed from 26 hand cut c-prints on paper.
Each is a different and unique (two-dimensional) arrangement of the 26 shapes that comprise the truncated cuboctahedron. If assembled, each becomes the same three-dimensional object, representing the entire realm of vision. The 10 different arrangements reflect the nature of the river; it has been shaped and changed over the years according to different perspectives and choices, and debates still persist over the proper function and future of the rivers. The river used to provide simple sustenance to Native Americans, and some of my aesthetic choices in the arrangements are reminiscent of figures or animals.
Archival digital prints, matted and placed in white lacquer frames behind non-glare plexiglass. Each image is about 9″ x 12″ on 12″ x 16″ paper, signed by the artist.
These photographs were taken from a custom built kite with a remote controlled camera rig. For more information visit Cris’ old website or his hidden ecologies site.
Ink-jet print of a digital collage, approximately 20″ x 8″. Sold in a white lacquer frame with non-glare plexiglass.
